begin fueling on pump number three while I
finish up
on pump number four.
You eye my
braid, my old car, my flute bag
in the
rear window, and that expression comesonto your pale, clean-shaven face.
You seem upset
that I don't shuffle, step aside,
show
embarrassment about my dark skin, and why must I have feathers in plain view?
You are
columbus, with your arrogance and
your
privilege and your superior equipment,you are that same murdering foreigner.
You wish I
would go away, would not be
present
right there with road dirt on my car,would be somewhere else, doing menial work.
Hey
columbus, nobody needs you here. We
lived here
for tens of thousands of years beforeyou came with your virulent diseases.
Hey,
columbus, your arrogance wears thin, and
a cheap,
pitiful little thief shows through — yourtime has been already too long.
You are
that same columbus who accepted
my Arawak
cousins' hospitality, there on Hispaniola,then gathered folks up to sell as slaves in europe.
You are
that same columbus who noticed
gold
ornaments, who demanded tribute, whocut off hands or feet for not bringing enough.
You are
that same columbus whose own
spanish
priest, Fray Bartolome de Las Casas,wrote about your unimaginable cruelty.
You might
say that was long ago, that I am
only
showing my ignorance and paranoia,that you have nothing to do with it.
You might
be lying, too. Your arrogance
gives you
away, shows you out. You are thatsame columbus who thought himself better.
Hey,
columbus, haven't you stole enough,
aren't you
rich enough yet to get into thatexclusive little heaven you talk about?
Hey,
columbus, if my honest half-breed presence
causes you
discomfort — if you had rather your wife and kids didn't see me, why not leave?
You are
that same columbus, yes it's you
stepping
from your sport utility vehicle ontothe flat pavement of a filling station.
You are
that same columbus and you can't hide,
even in
the privacy of afternoon drinks at your
exclusive
clubs — arrogant stink surrounds you.
You are
that same old columbus who
dreams of
empire, who pretends to ownthis land, who is willing to kill for profit.
You are
that same old columbus who brought us
cheap
thrills, oil spills, insurance bills, close-order drills, targeted kills and land fills with radioactive waste.
You are
that same old columbus, and you
wish I
would go away? After all these years,after your people have done these things?
Hey columbus,
why don't YOU go away?
Hey
columbus, your scorn displeases me.Hey columbus, your elections are phony.
Hey columbus, your time's about up, enit?
Hey columbus, haven't you made enough of a mess?
Hey columbus, gather up your trash and carry it away.
Hey columbus, go back where you came from.
Hey columbus, john wayne has plastic teeth.
Hey columbus, last call.
Hey columbus, keep moving, no stopping here, move right along.
Hey columbus, whooee up there, hoosh! soooie pig.
Without pretense, Thomas Hubbard nails it here. The language ain't fancy, and neither are the sentiments, which contrast well with everything that Columbus represents: the elitist, gas-guzzling, resource-consuming, earth-desecrating powers-that-be run amok. In essence, our ruling class. The phrase that comes to mind is American Exceptionalism, for whose offensiveness we may well thank/blame Columbus himself.
One this is certain:
we need more poems like this.
We need more poets shouting this from street corners and rooftops.
More, I say! More!
---
A mixed-blood, of (probably) Cherokee, Miami, Irish and English ancestry, the American poet Thomas Hubbard grew up among factory workers in the 1950's. A teacher of writing and other subjects, he has worked also as a carpenter, blues musician and freelance writer. He won the Seattle's Grand Slam in 1995, and since has written three chapbooks, Nail and Other Hardworking Poems, Junkyard Dogz, and Injunz. He has also published an anthology including 32 spoken word performers, titled Children Remember Their Fathers. His poetry, fiction and reviews have been published in numerous journals. Hubbard has served as vice president of the board of directors for the Washington Poets Association, and currently serves on the editorial staff of two magazines: Raven Chronicles and Cartier Street Review.
---
This week's editor is the Seattle poet and artist T. Clear, who blogs here, and dislikes referring to herself in the third person.
When you've read Hey Columbus! Please check out the Tuesday Poets collective in the sidebar. We live all over the place from the US, the UK and Europe to New Zealand and Australia, and every Tuesday we post poems by ourselves or poets we admire.
4 comments:
I love poems like this with passion that kick ass or arse depending where you come from.
Thanks, T. Great post! I agree, we need more poets shouting about the world's ills and waking up the millions who sleepwalk through consumer society.
Beautiful! Thank you!
Shelley said that poets should be political, but we tend to brush political poetry aside and downgrade it. Seamus Heaney found that it was usually valued less than than other poetry. He found ways to write about the Irish situation that got round these perceptions. I don't think we should have to write in metaphors to get the message across. As poets, we should speak out against what's going on in the world. I agree with everything this poet says. Aggressive european colonialism has gradually wiped out people who knew how to live with the natural world without exterminating it.
Kathleen is right. Poets are not separate from the rest of the society, but we need a lot lot lot of courage to speak up. http://thoughtemotionthing.blogspot.com/
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