Showing posts with label Spinifex Press. Show all posts
Showing posts with label Spinifex Press. Show all posts

Tuesday, July 29, 2014

Two Lips Went Shopping by Lizz Murphy


Two huge lips went shopping
on a pogo stick
for a red satin handbag
coordinated in colour
with their cupid’s bow


'Two Lips Went Shopping' - title poem from Two Lips Went Shopping by Lizz Murphy (Spinifex Press 2000) republished with permission from the publisher.

The poem was previously published in Blast. The book was the outcome of a 1998 ACT Creative Arts Fellowship for Literature from the ACT Government.

Editor: P.S. Cottier

I love this little poem.  It insinuates itself into the brain and jumps up and down there.  

The image of two huge lips on a pogo stick raises problems for the literal minded.  How do they balance?  How do they jump up and down?    

These are obviously fashion-conscious lips who like a co-ordinated wardrobe.  I love the way that the slightly old-fashioned expression 'cupid's bow' is given new life through the earlier reference to satin.  We see the top of red lips and a real red bow; where one ends and the other starts is impossible to say.  Of course, cupid's bow refers to a bow for shooting arrows, but I defy anyone to read the poem and not to think of a bow tied around a present or a pony-tail.

Spin the poem on its side and it even looks a bit like a pogo stick jumping up and down, powered by a rather erratic rider.

There is a lot in these five lines, and indeed, Lizz Murphy is something of an advocate for the shorter poem.  Along with fellow poet, Kathy Kituai, she is holding a number of readings emphasising the shorter poem, at which members of the public can read their works.  I attended one of these readings, and about thirty people were there, at a library, in the afternoon. This is a good number and a credit to the organisers.  No Small Thing is the title of the series of readings, indicating both how much oomph a shorter poem can deliver and how difficult it can be to create memorable short poetry.  Lizz is notable for the number of readings she organises in the greater Canberra area.  I include Binalong, where she makes her home, in that literary/geographical area.

Oomph gets no oomphier than that image of two lips on a pogo stick though!  I am so glad that the two lips were not early converts to on-line shopping, and therefore had made their purchases at home.  Although I do wonder how they purchased the pogo stick that they are using in the poem to go shopping...sometimes the desire to construct a narrative is a curse, isn't it?  Perhaps it's wiser just to enjoy the image.

Thank you to Spinifex Press and to Lizz Murphy for allowing me to send this poetic kiss out into the world.  




Lizz Murphy was Highly Commended in the Blake Poetry Prize and a finalist in the UK’s Aesthetica Poetry Competition in 2013. Her awards include the 2011 Rosemary Dobson Poetry Prize (co-winner), a CAPO Singapore Airlines Travel Award, 1998 Creative Arts Fellowship for Literature and the 1994 Anutech Poetry Prize. She has published 12 books. Her seven poetry titles include Portraits and Six Hundred Dollars (PressPress), Walk the Wildly (Picaro Press), Stop Your Cryin (Island) and Two Lips Went Shopping (Spinifex Press). She is widely published in Australian journals with poems also published in Canada, China, England, India, Ireland, Poland and the USA. Lizz was born in Ireland and has lived in Binalong NSW for a long time. She occasionally blogs.

This week's editor, P.S. Cottier, lives in Canberra.  She recently edited The Stars Like Sand:  Australian Speculative Poetry with Tim Jones, and will be the facilitator for an on-line course on speculative poetry offered by Australian Poetry in September.  She has blogged at pscottier.com since 1523 AD.

Tuesday, February 25, 2014

Iambic pentameter by Patricia Sykes


I watch myself     how I use my voice     how
much I give away     rebellion weighs
against obedience     prayer against fantasy
rote against the thrill of words that lately arrive

It was hearing a girl recite Ode to a Cabbage
that made me want to write verse myself
I hide my poems like hoarded love
the taste of secrecy is delicious (Nun-

the-Big-Irish gives the girl curry
when she catches her kissing my cheek)
now Mother-of-the-Blackboard 
proving with chalk that poetry has feet    

ˇ/ ˇ/ ˇ/ ˇ/ ˇ/
If a thing is not prayer why must it be sacrilege?
We are children of rhythm as well as of God
I am learning body worship from a girl who
walks beautifully     where else but here

could I rejoice such things?     Father,
are you listening? I'm your little exile no more
You would not know me     I am metric now
My feet are my own     how you will miss me

Posted with permission from Patricia Sykes. From: The Abbotsford Mysteries, Spinifex Press, 2011
TP editor this week: Catherine Bateson.

The Abbotsford Mysteries is a collection of poems which give voice to the complex and varied experiences of girls housed in the Abbotsford convent. As Skyes notes in her acknowledgements, the convent was divided into three 'classes' - St Jospeh's (the orphanage), St Mary's (for country girls and later for migrant girls) and the Sacred Heart (for 'wayward girls' and older women). The stories of these women, gleaned from interviews Sykes conducted with over seventy ex-residents, weave through this powerful collection. But it is also a personal narrative as Sykes and her sisters were placed in the convent after the death of their mother. The poems are vivid, intense and fierce and the language moves easily between wry intimacy and lyrical evocation borrowing its register and intensity from liturgy. You can read another poem from this collection here.


Patricia Sykes is a Melbourne-based poet and librettist. Her poems have won various prestigious Australian prizes including the Newcastle Poetry Prize. She has collaborated with Australian composer Liza Lim to create Mother Tongue, a piece for soprano and 15 instruments, and The Navigator, a chamber opera. These works have been performed both in Australia and in festivals overseas, including the Huddersfield International Contemporary Music Festival, the Festival d'Automne and the Chekhov Theatre Festival. Her two previous poetry collections, Wire Dancing and Modewarre - home ground, were both published by Spinifex Press.  



The Abbotsford Convent Foundation is now a not-for-profit organisation committed to fostering creativity, culture and learning. As well as regular events such as festivals, conferences and art and craft markets, over 100 artist studios are housed there.

*

Hub Editor: Catherine Bateson is a poet and writer for children and young adults. She is currently working on a novel based on her time in Paris, on an Australia Council for the Arts funded residency programme. Her most recent poetry collection, Marriage for Beginners, was published by John Leonard Press. 


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